Spanish

The Caribbean Novel since 1945 offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples.

Opening a window onto a new world for English-speaking readers, this anthology offers science fiction stories from over ten Latin American countries and Spain, chronologically ranging from 1862 to the early 21st century. Latin American and Spanish science fiction shares many thematic and stylistic elements with anglophone science fiction, but there are important differences: many downplay scientific plausibility, and others show the influence of the region's celebrated literary fantastic. In the 27 stories included here, a 16th-century conquistador is re-envisioned as a cosmonaut, Mexican factory workers receive pleasure-giving bio-implants, and warring bands of terrorists travel through time attempting to reverse the outcome of historical events.

Espectros is a compilation of original scholarly studies that presents the first volume-length exploration of the spectral in literature, film, and photography of Latin America, Spain, and the Latino diaspora. In recent decades, scholarship in deconstructionist "hauntology," trauma studies, affect in image theory, and a renewed interest in the Gothic genre, has given rise to a Spectral Studies approach to the study of narrative. Haunting, the spectral, and the effects of the unseen, carry a special weight in contemporary Latin American and Spanish cultures (referred to in the book as Transhispanic cultures ), due to the ominous legacy of authoritarian governments and civil wars, as well as the imposition of the unseen yet tangible effects of global economics and neoliberal policies.

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This book brings together some of the region's leading contemporary authors, from the anglophone, francophone and hispanophone Caribbean, as well as the United States and Canada, and constitutes a unique, transcultural anthology in which living authors evoke the dead, the undead and the dying, the ghosts that haunt their experiences and their works as modern writers of the Caribbean.

This book is the first English language critical anthology to examine Latin American science fiction in its entirety.

Masculinity is not a monolithic phenomenon, but a historically discontinuous one a fabrication as it were, of given cultural circumstances. Because of its opacity and instability, masculinity, like more recognizable systems of oppression, resists discernibility. In Macho Ethics: Masculinity and Self-Representation in Latino-Caribbean Narrative, Jason Cortes seeks to reveal the inner workings of masculinity in the narrative prose of four major Caribbean authors: the Cuban Severo Sarduy; the Dominican American Junot Diaz; and the Puerto Ricans Luis Rafael Sanchez and Edgardo Rodriguez Julia. By exploring the relationship between ethics and authority, the legacies of colonial violence, the figure of the dictator, the macho, and the dandy, the logic of the Archive, the presence of Oscar Wilde, and notions of trauma and mourning, Macho Ethics fills a gap surrounding issues of power and masculinity within the Caribbean context, and draws attention to what frequently remains invisible and unspoken."

This insightful book introduces the most important trends, people, events, and products of popular culture in Latin America and the Caribbean. * Explores controversial issues like censorship, gender, cultural imperialism, and globalization * Allows for cross-cultural comparisons between Latin America, the Caribbean, and the United States * Enables quick access to areas of interest through well-organized entries and helpful topic introductions * Features a discussion on the influence of modern technologies—the Internet, social media, and video games—in Latin American cultures * Provides substantial citations and references on each element of popular culture

This collection of essays explores some new possibilities for understanding postcolonial traumas. It examines representations of both personal and collective traumas around the globe from Palestinian, Caribbean, African American, South African, Maltese, Algerian, Indian, Australian and British writers, directors and artists.