Everyday Life in South Asia by This anthology provides a lively and stimulating view of the lives of ordinary citizens in India, Pakistan, Bangladesh, Nepal, and Sri Lanka. For the second edition of this popular textbook, readings have been updated and new essays added. The result is a timely collection that explores key themes in understanding the region, including gender, caste, class, religion, globalization, economic liberalization, nationalism, and emerging modernities. New readings focus attention on the experiences of the middle classes, migrant workers, and IT professionals, and on media, consumerism, and youth culture. Clear and engaged writing makes this text particularly valuable for general and student readers, while the range of new and classic scholarship provides a useful resource for specialists.
Pakistan by This is the first English-language survey of Pakistan s socio-economic evolution. Mohammad Qadeer gives an essential overview of social and cultural transformation in Pakistan since independence, which is crucial to understanding Pakistan s likely future direction. Pakistan examines how tradition and family life continue to contribute long term stability, and explores the areas where very rapid changes are taking place: large population increase, urbanization, economic development, and the nature of civil society and the state. It offers an insightful view into Pakistan, exploring the wide range of ethnic groups, the countryside, religion and community, and popular culture and national identity. It concludes by discussing the likely future social development in Pakistan, captivating students and academics interested in Pakistan and multiculturalism. Qadeer s impressive work is a comprehensive examination of social and cultural forces in Pakistani society, and is an important resource for anyone wanting to understand contemporary Pakistan. "
Modernism and the Art of Muslim South Asia by This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
British Asian Style by East and West intersect in this gorgeous exploration of South Asian textiles and their influence on British fashion and dress. From 17th-century chintzes to 19th-century silks and paisleys to the orientalism craze of the 1960s, these lush, patterned fabrics have long had an impact on Western style. Complete with stunning photographs of items from the V&A’s collections, as well as historical images and more recent photos of catwalk and street fashions, the book focuses on contemporary British Asian designers, South Asian textile production, and the presence of South Asian style in shops and urban spaces.
Cultural Atlas of India: India, Pakistan, Nepal, Bhutan, Bangladesh & Sri Lanka by A survey of the countries of the Indian subcontinent covers geography, demographics, agriculture, history, politics, culture, religion, arts, literature, and science.
Objects of Translation material culture and medieval "Hindu-Muslim" encounter by Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.